The changing of sunlight to moonlight
Reflections of my life, oh, how they fill my eyes
The greetings of people in trouble
Reflections of my life, oh, how they fill my mind
(song "Reflections of my life" from the band Marmalade)
Dear Ashis,
Last evening I watched the new DVD of
Anjan Dutt´s Dutta VS. Dutta.
It is the 5th film I saw
from this director. I liked them all, some more some a bit less.
But how could I know that this, his
most recent film will break my heart. During seeing this film, I was
already impressed and moved to tears. But it was even more intense
when I waked up this morning and the first thing came to my mind, was
Dutta vs Dutta.
It might be the knowledge that this
film is autobiographical, one of the “Songs about Themselves". The filmmakers who are mostly hidden behind the camera, their own aesthetic system or often in
the case of Anjan Dutt( when he appears physically in his films) totally changed into a fictive character.
Remarkable is here Anjan Dutt´s
performance as his own father. But at the same time the over coice
narration spoken in the first person is also from him.
He talks about the first kiss, the
first cigarette the first drink, friends with whom he spent his youth
and who finally disappeared. Like in most of his films there is also
the strange contrast between nostalgia and harsh realism. The family
is divided. The mother is alcoholic, the father pretending strictness
(as a follower of Indira Gandhi), he is a lawyer r but also a sinner who has an
affair. Rono, Anjan Dutt´s Ego has no intention to follow the wishes
of his father. He likes to play guitar and sing and he wants to be an
actor.
According to Adrian Martin´s essay on
Malick´s The Tree of Life, "Great Events and Ordinary People", Dutta vs
Dutta tells about the inner conflicts of a family but at the same
time as well about the turbulences of West Bengal in the 1970s, the
Naxal Movements ( a maoistic movement in India), uproars and the repressing reaction of the police. When the sister finally marries a
naxalite, the family and especially the dreams of the father Biren
Dutt is disturbed.
Dutta VS Dutta is also a brilliant
example of an autobiographic period drama. Even as a foreigner, I get
a sense of this Kolkata in the 1970s. It is like reading Marcel Proust´s On the Search for the lost Times - even without being a French, even without being familiar with typical french gestures - you get at least an idea about time and location of this novel. Costumes, production design in Dutta vs Dutta are
never just decoration. In the combination with the music they look
rather like memories which were lived and felt. Until now Cinema is the only time machine which is invented.
Despite the distance between Kolkata and where I life, I can connect with the music used as
well in this film. It was world wide the period of folk and
Rock music, King Crimson for example, music sometimes listened by my
elder brothers whose generation is the same like Anjan Dutt´s. Sometimes small hints like the persons are dressed, a picture of Jean-Luc Godard or Bob Dylan on the wall of a room is enough for me to be transferred to another time.
Several times the film changes from
colors to monochrome sepia. When the colors fade the film has less
the look of performed memories but memories depending on the body of a mortal living human being.
In the 5 films by Anjan Dutt I hace seen as
far, I feel Anjan Dutt leads the old discussion about art and
entertainment ad absurd um. The films I saw until now from him have
both and always at the same time. His films are always tragic and
funny at the same time. It is like how I said the same with the
contrast between Nostalgia and sometimes harsh moments. This is a film you can enjoy and at the same time you learn a lot about what the film is telling about but as well about Cinema in general.
Anjan Dutt´s
characters are full of contradictions and especially the ones he
performs himself are close to burst. To show how history moves through the body of an individual is always one of the most difficult things in Cinema - and Anjan Dutt manages it like he has never done anything else. His performance as Biren Dutt is
one of his most soulful one: the father you can imagine to rebel
against, the petty bourgeois who is secretly a sinner. Anjan Dutt´s characters are great especially in their failures and their weakness.
If I think about the two texts on other
films by Anjan Dutt, I have written so far, I believe Dutta vs Dutta highlights a different light on these films like Bow Barracks Forwever or Ranjana Ami Ar Ashbo Na All three films include a very crucial open rebellion
against father, mother or in the case of Ranjana Ami Ar Ashbo Na against a
fatherlike character. In Bow Barracks Forever we have the long and
intense scene between the young Anglo-indian Bradley and his mother,
in Ranjana Ami Ar Ashbo Na we have a very angry dialogue between Ranjana and her
idol and in his most recent film finally the final rebellion of
Anjan Dutt´s Ego Rono against his father. It is a rebellion against
the image father, mother or a father-like character are making
themselves of their children/disciples. Remarkable in all this three films the
young people are aggressive but at the same time they are fighting
with tears. The silence after this angry dialogues tells as much as the dialogues itself. In such moments Anjan Dutt´s films give a location about "pure cinema".
Where it comes from this freshness in the
films by Anjan Dutt, I do not know. He is not following any fashions or trends, he “sings his own songs” and after all what I heard
about - he even found his niche.
And Anjan Dutt is fearless in using different
genre pattern and in all the five films I have seen so far, all films are
unique. Call it popular or mainstream or whatever, these films have
a personal signature. Like Truffaut said about Bergman and Hitchcock: "Both directors films are entertaining but also great art."
Dutt has an amazing eye for characters, characters you
never forget. But in Dutta vs Dutta there is everything a nuance more
intense and even his own performance as Biren Dutta is one of his four or five most impressing ones I can remember.
The performance the intention to tell a
story reaches in Dutta vs Dutta often the border where I feel he
begins to share. His own
voice used for the over voice-commentary has some weight in this
film. At the end there is a very moving scene between his Ego Rono
and his father Biren. Biren has suffered a brain stroke and it is hard
to know what he still realizes and what not. Before we hear Anjan
Dutt´s off-commentary, which is obviously from the present, he says,
that he became an actor and is now a filmmaker and no one among his family members we see in this film know his films.
Later Rono tells
his sick father that he got a role in a film by Mirinal Sen. Clumsily
Biren makes efforts to hug his son. This is a very intimate and
heartbreaking moment.
How could I know
that a film by Anjat Dutt finally moves me to tears?
I have expected
good storytelling, some good music and some insights into my beloved
Kolkata in the 1970s. But what I got is finally a very personal
moving film.
Dutta vs Dutta is
honest, heartbreaking and authentic to the bones.
And last but not
least, Dutta vs Dutta enriches cinema with another autobiographical
inspired masterpiece. In its captivating evoking of both, a concrete
historic period and the personal history of an individual. In fact
this wonderful film is a kind of Bengali pendant to Hou Hsiao Hsien´s
Tong Nien Wang shi (A Time to live and a time to die, Taiwan: 1985) or Terrence Malick´s The Tree of Life. As different these films are, they approach from different sides the center of Cinema.
Out of my controll
– while Anjan Dutt shared in his film his memories- my own in the
1970s of my childhood came to my mind. Maybe cinema has as well always to do with the dammed thing called identity. Believe it or not after this
evening, I dreamt the whole night only about this film.
I am so
in love with this film and nobody is here to share it with.
In my imagination I
have seen this film with you in a film theatre in Kolkata.
All the best
RĂ¼diger
A text onn Anjan Dutt´s Bow Barracks forever
and on Ranjana.... Recently I published the english version of a review of Dutta Vs Dutta whose german version was written for the print version. Here is the Link.
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