Saturday, February 22, 2025

Notes on Village Rockstars 2, by Rima Das, India: 2024 (Berlinale-Generation)

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  It hurts, because it is only the second film I was lucky to see from Rima Das. I remember my enthusiasm when I saw 6 years ago her Bulbul ...
Friday, February 21, 2025

Notes on 2024 (2023), by Stefan Hayn, Germany: 2025 (Berlinale-Forum)

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  The most inspiring and the most beautiful kind to talk about films are talking about its images. The origins of images, can be retraced to...
Friday, February 14, 2025

Notes on some films from the International Film festival, Rotterdam 2025

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(Bad Girl, by Varsha Bharath As a member of the NETPAC-Jury  this year in Rotterdam, I had the privilege to watch 15 films from Asia, as far...
Sunday, December 1, 2024

Citizen Sen - on Parama: A Journey with Aparna Sen, by Suman Ghosh, India: 2024

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  There is a moment in the film when the actress Shabana Azmi calls Aparna Sen not only one of the finest women filmmaker but rather one of ...
Tuesday, November 12, 2024

Notes on Manick Kakur Camera (The Magical Camera of Manick Uncle) by Raja Chatterjee, India: 2024

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  When I was younger, obviously less wise and rather dogmatic, I considered the two extreme poles of cinema from the beginning: the fantasie...
1 comment:
Monday, May 20, 2024

Chaalchitra Ekhon (Kaleidoscope Now) by Anjan Sutt, India: 2023

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1. Something like a review The film is very much at the same time. It is a chapter from the biography of one of the most important Bengali f...
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Wednesday, April 10, 2024

Notes on Shesh Pata (The last Page), by Atanu Ghosh, India: 2022

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One can consider Atanu Ghosh as well as a chronicler of modern urban life. Just alone the visible city landscapes in Shesh Pata between tr...